Olympus XA - Neopan 400 Professional 135-36 film, Adonal developer and Boats in Ventura Harbor

Both neg's were scanned using SVP FS1700
Firstly, the film grain was visible in the scan, I love it! one could never re-create that look on digital. Secondly, the top photo was taken around 8am ish when the harbor was shrouded in fog, it was not quite a sight. The element made for perfect backdrop. The lower photo was shot late afternoon approximately two hours before sunset..... In both situations, the Olympus XA handled both shots beautifully. See last blog post below for a picture of this wonderful little gem of a camera

Neopan 400 Professional is one of my favorite films, I am so disappointed that it is only available in 35mm format and Fuji has decided to discontinued the 120 format. I just reminded myself to order more to stock up on these precious films.

Koni Rapid Omega sample shots and on another subject the Olympus XA rangefinder 35mm camera

Here are two scanned sample shots from the Koni Rapid Omega 6 x 7 rangefinder medium format camera (see picture of the camera in my earlier post below) Kodak Tri X 400 120 film, developed in Agfa Rodinal 1:50 for 13 minutes, Ilford Rapid Fixer. Neg scanned on Canon flatbed scanner, invert, and levels slightly adjusted. As I won't be able to set up a home darkroom for a while longer, I will have to contend with digital scans but all is not lost, it does give me a glimpse of what I might be able to print from the negatives. Koni Omega is a 6 x 7 camera and the negative did not quite fit the neg holder that came with the scanner. I was not thrilled with the scan results, even at 600dpi. I was more interested to see if I have messed up the shutter speeds/f-stop since I was using the sunny 16 rule. it is a test roll so I was not expecting much. Looking at the negatives on my light box, the images had good sharpness, contrast and bokeh.


The picture above was shot in old town San Juan Bastista, California. A town that had the look of an old western town, forgotten, left behind in the mad tech rush of the 21st century, complete with western style saloons on Main street, a few adobe houses interspersed with brick red and blue walls, an old church, a rather quaint town. On that day, there was a gathering of a small group of classic cars whose owners had driven all the way from San Diego. Hanging out with good friends outside a cafe soaking in the sun. I chatted with a gentleman who asked about the chunky camera in my hand. He told me he shoots digital now, his film cameras are now collecting dusts on the shelves, he added "I now take pictures with my iPhone, and never missed a shot". An hour south of San Jose and a short detour from 101S, San Juan Bastista Mission is the main attraction in town and most of the area surrounding the Mission has been gazetted a national park. Tourists from near and far in tour buses, locals hoping to escape the city flock to the Mission ground each weekend, with their cameras and anything that takes pictures, you could hear chatters and footsteps from afar.....

One of the few quirks of the Koni Rapid Omega is that until one gets used to the film advance lever it is very easy to accidentally overlap images. Below is one such accidents that turned out pretty interesting and instead of cropping it, I decided to leave it alone.



One gets 10 shots per roll on the 120 film. The negatives are 6 x 7, that is 2.7 times larger than a 35mm neg. If you are looking for a negative to print easily into a 8 X 10, the 6 x 7 camera is the most suitable film format. I am looking forward to getting the two rolls of Velvia shot also on the Koni Omega developed at a lab soon.

Olympus XA 35mm rangefinder film camera

I have also just acquired two Olympus XAs with Zuiko 35mm f/2.8 lens off ebay for under $30 a piece including shipping. The XA was reputed to be "the other" camera for Henri Cartier-Bresson and his peers and many famous photos were shot on the XA. It is very small, measures just 4" x 2.25" x 1", weighs a mere 10 oz with batteries despite having a stainless steel body. For those of you familiar with Minox GL, it is just a tad bigger. Easily fits in one's coat pocket or purse, it is a rather inconspicuous little camera. It is a true rangefinder camera with a fast Zuiko 35mm f/2.8 lens, offers aperture priority and viewfinder shutter speed display. A switch at the bottom of the lens for ASA/ISO selection. Very quiet shutter, almost inaudible. The XA is a genius design by Yoshihita Maitani, the man behind Olympus PEN and OM film cameras. One other plus point for the Olympus XA is that it uses the readily available SR44 batteries. If you plan to get one, be sure to get the XA and not the later models (XA 1, 2, 3 and 4) which has a slower 35mm f/3.5 lens. I am going to carry both cameras with me, one loaded with b&w film and the other perhaps Velvia. Now I can never say I wish I had a camera on me!



To learn more about the Olympus XA and many classic camera, go to Photoethnography.com. This is absolutely my favorite go to site if I am looking for well documented and researched info on classic cameras.

Update on the XA

As mentioned above, I had bought two XAs (could not help myself). The second one that is cosmetically a 9/10 had a dead metering needle (viewfinder). After much web research, I learned this is very common with cds cell from age/lack of use etc. I shook the camera a bit (the old trick), it did not work. There are two cds cells in the XA, one for the viewfinder meter and the other for the lens shutter. The lens shutter seems to behave correspondingly (to the f/stop change) but not knowing the shutter speed is killing me. One guy on the XA forum said sometimes if you jiggle/move the focus lever a few times, at the same time point the lens at a bright light, the needle may come back to life. I did and what you know, the needle started moving. It could have been age/lack of use, corrosion, dust between the contacts or anyone of these. It reminded me of the old Weston light meter I had, which needed some help to start working again. There is no telling if the shutter speed is accurate until I develop the very first roll, but I thought I should share this little trick. Definitely need some luck here :)

Back to my roots....back to film that is

Guess I have had a long hiatus from blogging. Sometimes one gets caught in the fast lane and it takes some doing to get off that "Going to Nowhere" train. I have not done much shooting, the influx of Instagram, Pinterest and the likes mean stock photography is bidding time. To survive and stay relevant, these stock photo agencies find ways to jiggle their existing contract with contributors so they can keep more of a shrinking pie and pay the contributors less. I know that day would come, sooner than later. I stop shooting digital, in fact I sold most of my lenses and kept only my Canon 10D. I was so happy to pick up that film camera again and to process my own film....There is something special about shooting film I cannot put it into words but you know what I mean.

I acquired a Koni Rapid Omega with 120 back on Ebay for $69 Buy It Now price (I got lucky) plus $23.95 shipping. A beautiful medium format rangefinder camera, the Koni Rapid weighs a good 4.5 lbs. It is a beast!! I love shooting street photography, the impromptu scene, the not posed images. Being able to use available light, finding subjects in ordinary places makes shooting so much more rewarding for me. I will now add the Koni Rapid Omega to the list of cameras I enjoy shooting: Mamiya RB ProSD, the Bronica Zenza S2A and now the Koni Rapid Omega. They all share a few things in common: sharp lenses, weigh a ton, battery-less, totally mechanical. What a bliss!


In the last 6 years or so, I have gone through a few photo enlargers, setting up a home darkroom whenever possible (call it the learning curve, finding out what your like and what you don't and the quirks). However, each time I was getting ready to move, I dreaded having to move it and so I got rid of them by passing it along to the next person. Amongst them: the very massive Beseler 23C, the Saunders LPL, Omega D6, Omega C700 the list goes on. Up until this morning, I was effectively "enlarger-less". However my photography world just got that much better as I spotted a Durst M601 in superb condition for sale on Craigslist for $30 last night. I decided I had to drive 50 miles south to go and get it, never mind I can't set up a darkroom now. What a great enlarger! Everything I wished the other enlargers could be I found in the Durst. Solid, steady, extremely well built means one can print without worrying about the enlarger moving or shaking ever so slightly. The glass negative holder holds one's negative flat no matter how long one has been printing (not curled as with many negative holders when things get hot). Two sliding red knobs on the neg holder allow one to adjust the masking on the negative as desired. Not having to remove and reposition means less dusts will be introduced!! The column measures 3 ft, the base 20 x 20, the head can be tilted and locked at an angle for larger enlargement. The movement up and down is smooth, quiet and the knob handle folds and locks (much like the winder on a Bronica). Made in Italy, this Durst M601 for $30 has to be one of my best hauls ever ($50 including gas)! Never mind that my printing will have to wait until I can find an abode that has an extra room/garage or outside barn for the darkroom again.

A still life....Kodak EIR film....and the late afternoon sun

This photo has a special place in my heart. A photo I shot in a dingy garage years ago, and a still life put together invited by the light. The garage had a low window with many 50s style square glass panes. It sits just above the ground, much like a basement or a daylight window. As winter approaches, the window would ever so gently filter in just enough light from the afternoon sun, and warm the garage. Each time I would stare at the window and the long shadow on the floor...saying to myself that I must put something together quickly and shoot this light before it disappears.

Positive "high res" film scan with SVP FS1700 Negative and Slide Scanner, Kodak EIR film, no post process
The wooden background panel had quite a history. I bought it from another flea market seller on Melrose in the Fairfax district in LA. I was attracted by the beautiful big bold paint strokes of the sunflower, painted in lime yellow and green. The seller told me it came from an old house and that the panel was a salvaged door. Someone he knew was an artist and decided to paint the panel hoping to sell it as a work of art. The seller wanted $35. We haggled and finally settled on $15. It was heavy and it was 3.5 ft wide and 4 ft tall and almost 3 inches thick. I lugged it 200ft to the parking lot to my car and was relieved it would fit inside the trunk of my old Jeep. It is perfect as a table top in my future garden, the money would be well spent, I consoled myself.

The antique garden jug belonged to my housemate. It had beautiful lines and despite being a little beat up, it looked elegant. I needed something to prop up the garden jug and balance the composition, the wooden carpenter step ladder looked perfect for the part, it completed the composition. I moved them around just a bit until they looked right...

I set my film camera on a tripod and proceeded to shoot a few frames. I had imagined the shots and wanted to capture the light before it is out. Much later when I was nearly finished with the roll of film that I realized I had one of my two remaining rolls of Kodak EIR color slide film in the camera. Until today I cannot get over how a simple still life at the spur of the moment can be so out of surreal, so beautiful and timeless.

Sometimes we spend days chasing after that perfect shot, and it is staring right at us, if only we take a pause..........

SVP FS1700 Negative and Slide Scanner Review

I am not one to buy the newest latest gadget but the SVP FS 1700negative and slide scanner caught my attention two weeks ago. I was a little apprehensive, wondering if it would be worth my while. It is nice to be able to do a quick scan of my film negatives and slides from years past, even the more recent ones but I already have a Canoscan 8400F Flatbed scanner which does get some use when time permits. Do I really need another scanner, would I be disappointed with the results? There were literally hundreds of choices, both on Amazon and ebay, and many user reviews on each of them making the decision even more difficult. I finally settled on the SVP FS1700 with an LCD screen. Image is projected on the backlit LCD display which allows one to view the image and decide whether to proceed with the scan and save the file. Much like viewing it on the small light box, it is a nice add on that decided for me.

Right, Venice boardwalk. Positive scan, Ektachrome, X-Process, no post processing

I ended up bidding for one on ebay one early morning, a brand new one and winning it at a mere $8.55 + $9.99 shipping for a total of $18.54. The unit I bought does not come with a smart media card (and I have plenty of spare). Amazon sells the SVP FS 1700 Slide and Negative Scanner with an 8GB card for $49.99.

Now the review.

What I like about it:

1. It is fast, very fast, at the click of a few buttons and you are done scanning and saving the file on the SD card. The LCD is really a projection screen off your negative/slide but that is a nice touch. This means you don't have to hook the scanner to a computer monitor to view and do simple tasks such as flip the image or do a mirror flip, both functions can be accomplished on the scanner itself (if you put the neg the wrong way)

Picture on the left is a "high res" B&W scan of a 35mm neg Ilford SFX 200, no post processing

2. You have a choice of low (866kb) or high resolution scan (1.5MB) and that is big plus, I am not sure if it would be useful if one can only do a low res scan. I set mine for high res scan just in case I want to get at least a 5x7 print at the local Walmart.

3. It is set up to scan positive or negative film, so as long as you set it correctly (positive, negative, b&w), the resulting scan is fairly good, good enough for the web and 4x6 or even 5x7 print. Start with a good negative/image, you should end up with a respectable result.

4. The negative holder and slide holder are quite sturdy IMO. In fact, I would say they hold the negatives far better than the 35mm neg holder for my Canoscan 8400F. It has little catch for film strip sprockets and that holds the neg down securely. Same for the slide holder, as long as your slide is in standard size slide holder, it holds it in place.

What could be improved:

1. The 3x2 instruction manual (more like a pamphlet) is very confusing, leaving much to be desired. (Some things may be obvious to the person who wrote the manual but hey if you are staring at it you would not know where to start). Having said that, once you have it all figured out it is pretty smooth sailing from there.

2. It would be nice to have a 6x4.5 neg holder or even a 6x6 neg holder, but this little inexpensive scanner is not for the serious professional but rather for those who want to digitize slides from family vacations taken before the world went digital and to preserve precious Kodachrome memories.

Bottom line

I am impressed. The quality of the scan is probably just a tad below what I get from the Canoscan 8400F but it take 2-3 minutes to scan one 35mm neg on 8400F while it is a quick 10 seconds on this little scanner. Pictures posted here were from the SVP FS1700 with no post processing whatsoever.

Finally calling this nifty gadget a scanner is probably a misnomer. It "scans" by way of capturing a picture of your negative/positive or slide and giving it to you as a picture file. It is a pretty clever device!

Right, Reflection, Velvia slide scan, no post processing

Looking at my slides, I have forgotten how fun it is to shoot film!!!! It is sad the world is turning so digital, it is like a world without feeling. I really wish we could turn the clock back!!

If you are interested in the SVP FS 1700 Slide and Negative Scanner, Buy Here at Amazon