Ansco Speedex/Agfa Medium Format Rangefinder

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Went at the Palo Alto flea market last Sunday, I was hoping the seller I bought my baby Yashica TLR camera from two months ago would be there this time. I remember seeing an old rangefinder that looked like an Agfa and he had wanted $50 then. (This was part of the lot of film cameras and saxophones he bid on at a Public Storage auction). Sure enough the rangefinder camera was there. It was an Ansco Speedex with Apotar 85mm f/4.5 lens, made in Germany in 1956 by Agfa for the US market. The body was a bit old, but the lens looked clean and shutter fired fine. I asked him what he wanted for it, hoping it would be less, he said $20 (he wanted $50 two months back). I offered him $10, "$15" he replied. I played with it for a bit, and said "what about $12, I am not really sure if this camera can be used for any serious photography". I had just told him that the Yashica I bought from him works ok but shutter speeds <1/30 are off (I am still working out the kinks). Anyhow, we settled on $12 and I was very pleased with my find, knowing full well may be this very old camera will not be up to the task and will be relegated to a place on my shelf and that is fine.


"Ansco Speedex 4.5"
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To make the long story short, after returning home with it, I went online, did some more research, found tips on how to check for light leaks expected of old folder cameras. Basically, one shines a bright light into the bellow in darkness and see if there are any pinholes. If yes, try patching it with black fabric paint - a temporary fix I would imagine :(

OK. now the not so good news, yes, I found at least 7-8 pinholes which I fixed by painting them with black fabric paint from Michaels. The focusing lens also appeared stuck from lack of use which can be expected of old cameras but hey for $12, I can afford to work on it. I wrapped a towel around it and try to turn it a few times and after a few attempts, it moved. I then turned it counterclockwise and clockwise a few more times to loosen it and that did the trick, the turning became much smoother. Next, I wiped the lens clean with my camera lens cleaning fluid. Now the camera is ready for a roll of 120 film. Film loading is similar to any other medium format cameras and the Holgas, one moves the empty spool from right to left and insert the new film in the space on the right. However, it took me a long while to figure out that the rewind knob can be pulled up so the empty spool can be inserted, silly me. This was because the rewind knob was also a little stuck from old age. Sometimes the most obvious thing is not really obvious at all.

Voila, now the camera is ready to use. This is still a basic medium format rangefinder, nothing fancy but allows me a lot more control (shutter speed, aperture, focus) than the Holga (and no light leaks - I am keeping my fingers crossed that I have fixed all the pinholes). One's knowledge of the "sunny 16 rule" will definitely help here. I might add that I recently picked up a digital Pentax 1 Deg Spotmeter for $165 from a photographer in Mill Valley - definitely one of the best investments I made. I use it when I need help in determining the right exposure in challenging situations and for scenics, so with that I am ready to rock and roll with the Ansco/Agfa rangefinder :)

Pentax Digital 1 Deg Spotmeter For various types of spotmeters available, check out selections at Bhphotovideo

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What can I tell you, there are just a ton of great film camera bargains out there today if one looks for them. One does not need fancy camera to take good photography, just a good eye for composition and a feeling for the light. With so many digital cameras flooding the market, great film cameras have become orphaned and can now be had for a tiny fraction of what they used to cost. Film cameras often last you a lifetime, they never become outdated the way digital cameras do the minute you walk out of the store. When I was at Kaufman's camera in San Mateo recently to buy paper developing chemicals, they had jokingly asked me if I am one of the "hold-outs". To which I replied "definitely". I have not abandoned digital photography, it is what I do half the time and it has its place in the modern world. However, nothing can ever replace shooting with film, developing and printing in the wet room. It is a labor of love and much much more satisfying....The only analogy I can think of is perhaps crushing grapes from your backyard grapevines and making your precious bottle of wine?

If your entry into the world of photography has been by way of digital camera, then you must give film (b&w that is) a try, It is a very enlightening experience, a beautiful world in black and white and shades of gray with no distraction. The images are often powerful and they leave you lusting for more......

A good place to shop for used equipment is KEH.com

The unexpected and the results of my Holga experiments

I promised I would post shots taken with my Holga and here they are...

Firstly, I experimented with it a great deal. I put two rolls of Tmax 320 B&W through it, shot all types of scenes. Then I shot another roll of ISO 400 color Fujifilm and one ISO 800 color Fujifilm as well. Now, there is something about a crude camera box and you and getting a good shot. It is really all about composition and light (I might add here that I completely messed up my roll of ISO 800 (zilt, nadah, is all I can say about that roll - shot inside a church in dim light, I totally underexposed the roll, forgot that the least I could have done was held down the button longer). Having to adjust to seeing everything in a square format is actually a rather refreshing experience coming from 35mm - I can also see how some shots are better suited for square format than others.


The fun part:

No. 1 - there is definitely light leak and I think I know where mine is coming from. I could tape it but that would take away the element of surprise. The vignetting is actually rather nice.

No. 2 - double exposing the same frame twice is so easy that if one is not careful, that becomes second nature. Well, unless you messed up so bad that you tie a little string around your index finger to remind youself to wind the film before you click that shutter again. I have one too many shots to prove how easy that is - however to my solace, it led to rather pleasant and unique results - see below. I was trying to figure out where I had taken that strange shot and then I realized it was two shots in one....

"Dreamscape"
No. 3 - one definitely looks more inconspicious to others with this little cheap plastic camera than with a big Canon 5D and zoom lens. Theoretically, that means you are more likely to get the shots you want :) The shot below is a case in point.


Finally, as there is no way to control shutter speed but Bulb or N (is that 1/125? 1/250? that in itself is another mystery). Hence, the only way one could ever use it in dim light even with high speed film is the B setting on tripod, or hold down the shutter and time it yourself... that surely will contribute to even more unpredictable results if you get any at all...but I can see me testing that out....



Holga is cheap way to have a go at medium format. The camera is dirt cheap, the only expense is development and printing. The depth and clarity to me is still way better than similar shots on my 10D, may be I am biased.... but I think you would agree.

I did a little write up on Holgas and where you could get one cheaply... see link:
Holga's - the cult following

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Have fun !!

I am so happy I am giddy :)

I had been toying with getting a used medium format camera for the past few weeks. Tried bidding on ebay and always seems to be outbid minutes before the auction ended (never had any luck with ebay, there must be a trick :(. I was not going to get into a bidding war either). Anyhow, it crossed my mind perhaps to look for them in flea markets or antique shops where I might have better luck finding a decent one at the right price and I did!! three Saturdays ago at a Palo Alto Fleamarket.



It was a baby Yashica LM 44 (LM-selenium cell light meter - still works, and appears to be quite accurate now that I have tested it outdoor and indoor, 4x4 ). They said it was the poor man's Rollei (I see) It is in beautiful condition, with Copal SV 60mm fixed lens, cap, leatherette case etc, asking for $65!!.. The seller said he had picked up a bunch of stuffs at a Public Storage auction, guess whoever did not pay their public storage fee must be a camera buff, as there were other goodies, tripods, trumpets, clarinets etc.

The only thing that I was not sure before handing the $65 over was that it takes 127film,.... hmmm, was there ever a 127 film? This thing is older than I am. I called BelAir camera in Los Angeles, (my favorite camera store) and the girl at the film counter said "no, I don't think there is a 127 film" Yuks! I then called Foto Express in San Jose and was told the same thing, "we don't sell 127 film, I don't know if you can still get them anymore" ok, I started to waver....should I get it or shouldn't I? It is in such good shape and my heart is willing, my pocket book is wavering. It fits nicely in my hand, they said it is a lady's camera during those days due to its petite size. Oh, did I mention that the bright waist lever viewfinder is such a pleasure to use....



No surprise. I bought my new toy!! told myself that I will be just as happy to see it sit next to my beloved photo books. (does that sound familiar?)



As soon as I got home, I went online, found out that one could still get the 127 films, Efke B&W and IR from Freestyle and Provia film and slide films from Bhphotovideo (now I am really happy I am giddy). There are apparently quite a few classic camera buffs out there still actively using their baby Yashica, Rollei and other 127 film format cameras...I ordered 3 rolls of B&W and one rolls of IR films and they arrived in 2 days. I am now running the films through it and shot a roll in downtown San Francisco near Embarcadero.....I had a couple of envious looks, from people who either knew exactly what it was and from those who wondered if I was shooting video as I was looking through the viewfinder. I know now how one could be rather inconspicious using the TLR's with the waist level viewfinder if you think about :). Will be processing the films myself and if they turn out half way decent, I shall scan the neg's and post them on my blog.

Don't laugh at me if I tell you that I slept with the baby Yashica next to me the night I brought it home, you can imagine how giddy I am :)

For those who are curious about the Yashica and the Rollei TLR's and other classics in this digital age, here is a really good link:

Photoethnography.com -Karen Nakamura- The definitive guide to classic film cameras -I love her site

Suppliers of 127 films:

Bhphotovideo.com 127 films

Freestylephoto.biz 127 films

Frugal Photographer

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A trip to the city...

A San Francisco travelogue

Having read that there was a camera swap meet in south San Francisco Saturday, I decided to take the BART to town which is really the best way to travel to the city. I did plenty of walking and savored the sights and sounds and spent a good hour at the swap meet. I struck up a nice conversation with an old school commercial photographer on the Mamiya C33 twin lens reflex medium format camera he was selling. We chatted, mostly with me picking his brain...and wishing the good old days had not gone away so quickly. We talked about how producing beautiful photography is still about having your techniques solidly grounded, and knowing your wares....having the eyes for the light.....and that his very first used medium format camera he bought from some guy when he first started and how he produced great pictures with it. Later that morning, I walked to the waterfront of Embarcadero. As it was a Saturday, a bustling outdoor market was in session. Crowded with locals and tourists alike, it was at times elbow to elbow walking room. I did the quick tour, and some photography and soon found myself checking out the artists selling their work under big white tents in the park away from the crowd.


"Who is this man?"
I soon struck up another long conversation with an artist whose attire was rather nomadic, who interestingly has a Chinese sounding last name but grew up in Nicaragua as I later learned (not surprisingly, as many set sail to seek work and fortune some two hundred years ago and many went to South America). A photographer who spends a few months each year outside the country in search of inspiration, his works of brightly colored weathered buildings from Cuba to Nicaragua and Rajistan first caught my attention. There was also the image of two canoes in the morning light with the Bay Bridge in the background still shrouded in fog. Then as I looked to the floor, there was a photo of a young boy cloaked in red sitting on the floor of a monastery. He was holding up a long stick, pointing to a chalk board of sentences as if to repeat after his master. On the left, soft light flooded the dim room casting a small shadow on the boy sitting cross legged on the floor. The image stopped me in my track. I lingered on and looked at it for a long time. My mind wondered back to Asia, to the people and the colorful cultures, to the villages. Sometimes an image speaks to the soul and it takes one on a journey....may be because I grew up in Asia and had traveled to many corners of Southeast Asia where life is simple and yet plentiful...and learning and acquiring knowledge is what every parent wants for their child. It was the very poignant scene that moved the photographer and caught his eyes as he took that one and only shot.

"I am the proud owner of the photo - getting it framed...in dark wood with border"
It no longer matters if I took any photo at all with my camera. The sights and sounds of the San Francisco waterfront, the hustle and bustle had suddenly taken a back seat without my knowing.

Sometimes a photograph speaks to one's soul and it is that simple. I could not help but remembering the works of Dorothea Lange, her photographs of the "Migrant Woman" and the "Man in the Bread Line". Humanity and the ability to connect and feel is such a rare commodity in today's material world, I was so very glad to know it has not completely gone away.


"The artist's gallery along the San Francisco waterfront"
As I sat on the BART train heading back to Fremont and San Jose, I was deep in my thoughts. It was a good thought. I had bought the photograph from the artist whom I had gotten to know and we made some plans for collaborative projects in the coming weeks, stay tuned......

Holgas - the cult following

I wanted to shoot medium format film and have been agonizing over whether to get a used medium format camera or a fixed lens Fuji last few weeks. Having heard and read much about Holgas, it has piqued my interests especially after seeing the works of Holga enthusiasts. It was tempting me as a very inexpensive way to work with medium format film. Researching further, I learned that Holga has a rather interesting beginning and has its roots in rural China. For more details on Holga, go to Holga and Camerapedia.Org

With Holga, it is just a "mechanical box with a crude shutter", the film and you the photographer. There is no blaming the camera for having a bad shot, although you might be able to blame the lack of electronics :) for missing a shot (pardon me for describing it that way, but simple is good and less is beautiful has great meaning here). The light leak prevalent in the Holgas is what makes each image unique.



Holga in baby blue if that is your fancy - available at Bhphotovideo

So, I am now a proud owner of a "Made in China" trendy and hip "Holga 120N". Got it at BelAir Camera in Los Angeles when I was down there last week and a certain "David" who works at the processing lab who shoots exclusively Holga showed me his incredibly wonderful Holga images. I asked if he sells his photos, his reply: "like to do a show someday". He helped me pick out the Holga 120N to start. You see, there are many different models and colors (pink! good God, I want to be inconspicious), with hotshoe, with built in flash, the classic (120S), all available for 120 and 35mm film format. In addition, there is Holga pinhole camera. Yours to choose from well under $45!!!

Holga 120CFN Medium Format Fixed Focus Camera


You might be interested in checking out this Reuters blog entry on Holga by Jim Young(and a little story of Crawford, Texas) Remembering the days of black and white film

To buy Holgas, try:
Amazon Holga 120

or Freestylephoto

As for my own Holga photos, I loaded a roll of TriX-320 into the Holga 120F I bought last week and have yet to make it back to Livermore to shoot the old train station and the old house on Highway 84w. I am in the thick of the tax season - and all I can see are thousand of line items of income, expenses and deductions for 10 hours a day (did I mention pages and pages of stock trades clients did in 2008 - oh well, that is the subject for another entry on my other Blog)

Having said all that, I look forward to doing some b&w film development soon at a community darkroom in San Jose as soon as I have my weekends back again.... and I will post the Holga photos to share then.