Getting Back To Film After A Long Hiatus ......

I have not shot a roll of film in quite a few months. Jan to April each year is when I am busiest, as my other day job is that of a tax preparer at a CPA office, 60 hr week for about 10-11 weeks. Finally that is over and I can have a bit of R & R. Fall 2013 I bought a basic Canon Elan camera body on ebay (just because... it was cheap, I could not past it up). It came with the ugliest looking Quantaray telephoto lens. I wanted to see how bad a cheap lens can be. It actually seems to focus rather fast although it is a slow lens with max aperture of 4.0. It does not hurt to have a 35mm film SLR lying around that could share some of the better lenses I own. I also added to my gears a 200mm f/2.8 L lens from ebay, for $200. Before you said Wow, what a sweet deal! It is cheap for a reason, it has a broken USM motor and only the manual focus works. That did not bother me, I was after the glass and bokeh of a prime L lens within my budget for a hobby. My kind of photography is slow mo anyway. I prefer to take my time to shoot and let my heart leads.


First off I am so out of practice that I had to reel the films thrice as they kept kinking on me and all that inside a large changing bag. Still it did not feel like it was properly done but I eventually gave in and decided I am going to develop the film and live with the consequences. Rodinal/Adonal is always my developer of choice and it gives me good control over the development. It is a one shot developer which means I can prepare just enough for each run and not worry about the rest going bad on me.


The Canon Elan turned out to have an unpredictable shutter (no such thing as free lunch.. things are cheap for a reason, I can only laugh at myself now).The shutter jammed at low speed and I had to turn it off and back on for the mirror to return leading to light leaks on the entire roll. It would work at fast speed, but the entire roll had already been exposed while the shutter stayed open when it jammed. This roll came out blank (clear) except for the frame numbers. I had a second roll of Neopan 400 shot partly on the Canonet QIII 17 and partly on the Canon Elan with the 200mm f/2.8 L lens that was processed along with the first roll of Neopan 400 in the same tank. You can imagine how relieved I was to find a few good shots on the second roll.

First run off the "printing press" - the Beseler 23C II Condenser Enlarger that is

Getting hooked on photography is a bit like getting bitten by the golf bug. First, you spent way too much money to get your hobby started. Then you get on this train and at every stop you talk yourself into buying an extra photography gear or two, some you need, some you don't but you want them because you might need them....It is happening all over again....I used to spend eight hours on the green on weekends when I was doing my corporate gig, now, I am spending that same many hours shooting, processing and printing in my makeshift darkroom creating my photography/art :).


"f/5.6, 6 seconds, Grade 2 paper. Plus X 125 film, Canoscan 8400T scan"
This is going to sound a little crazy. I already own an Omega B66 b&w enlarger which I bought for $40 off CL 2 years back and have printed very successfully from it (after tweaking it and adding ND filter to increase printing time). Unfortunately, I am in the Bay Area for a couple of months without it and desperately wanted to print (my creative pursuit). I checked out what is left in the rental darkroom scene from San Jose to San Francisco, and decided that they are too expensive since they go by the hour or a combination of one time membership fee plus a reduced hourly fee. I much prefer the comfort of printing at home in peace. So, you guess it, I bought another enlarger off CL again. This time it is the Beseler 23C II (the earlier version with the blue condenser enlarger head). Paid $120 for it. Besides the enlarger, there were a nice timer, a safe light, 4 negative carriers including 4.5x6 and 6x6 beg carriers, extra 38mm and 80mm enlarging lens, an almost new Saunders 4 blade 11x14 easel, 10+ stainless steel developing reels and tanks, and "several hundreds" of dollars of old fiber papers from 8x10 all the way to 16x20, still in their boxes and sealed. If 1/10th of the papers were any good, I would have recovered more than what I paid for, and the Beseler 23C II would be a bonus!! There was also a box of Zone VI Studios Grade 2 papers in the pile, I understand they were the standard until Multigrade papers came along.


"f/5.6, #3 filter, Ilford Multigrade warm tone paper, 8 seconds, SPX 200, Canoscan 8400T scan"
So I proceeded to set up my makeshift darkroom. There were two windows and a door that needed to be light tight. I taped the windows with black plastic sheeting from Home Depot and created a temporary workbench for the trays by putting a 2x4 plywood panel also from Home Depot over two plastic cabinets. Bought a fresh developer and stop bath from Kaufman's camera, and they "donated" a piece of perspex for my contact print (it worked). Printing was done after sundown (now you see why I wish the sun would set sooner so I get a few extra hours of printing at night). After some experimenting, I was able to settle into the printing routine.
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A few notes:
I used RC paper for contact print, at 3-5 sec increments, depending on the tone/contrast
After looking at the contact print, I decided to test print an image I shot at the recent Cinco de Mayo parade in San Jose on Zone VI Studio Grade 2. There was more contrast on the contact print than I wanted so I thought printing on Grade 2 paper would be a good compromise (I am still waiting for my filter pack to arrive). See the first image above of the young boy dressed in cowboy attire getting ready for the parade...the old Zone VI Grade 2 fiber paper probably gave the print its warm and aged look.....still experimenting....

The daisy shot (above) on the other hand was printed on regular Multigrade Fiber Paper with a #3 filter. When I looked at the contact print, it had nice shadows and highlights (the #3 filter was the only filter that came with the enlarger). I like the result, particularly the grain, which was very visible when enlarging to 11x14. I might add this was shot with Ilford Harman Infrared SPX200 (with orange filter). It was the first time I used Ilford SPX 200 and I love it. It has a nice soft tonal range and the highlights are a touch ghost white while the shadows are soft black, nice tonal range overall. Looking at how my scenics and still life turned out, I will definitely be shooting a lot more of the Ilford Infrared SPX 200 film.

A trip to the city...

A San Francisco travelogue

Having read that there was a camera swap meet in south San Francisco Saturday, I decided to take the BART to town which is really the best way to travel to the city. I did plenty of walking and savored the sights and sounds and spent a good hour at the swap meet. I struck up a nice conversation with an old school commercial photographer on the Mamiya C33 twin lens reflex medium format camera he was selling. We chatted, mostly with me picking his brain...and wishing the good old days had not gone away so quickly. We talked about how producing beautiful photography is still about having your techniques solidly grounded, and knowing your wares....having the eyes for the light.....and that his very first used medium format camera he bought from some guy when he first started and how he produced great pictures with it. Later that morning, I walked to the waterfront of Embarcadero. As it was a Saturday, a bustling outdoor market was in session. Crowded with locals and tourists alike, it was at times elbow to elbow walking room. I did the quick tour, and some photography and soon found myself checking out the artists selling their work under big white tents in the park away from the crowd.


"Who is this man?"
I soon struck up another long conversation with an artist whose attire was rather nomadic, who interestingly has a Chinese sounding last name but grew up in Nicaragua as I later learned (not surprisingly, as many set sail to seek work and fortune some two hundred years ago and many went to South America). A photographer who spends a few months each year outside the country in search of inspiration, his works of brightly colored weathered buildings from Cuba to Nicaragua and Rajistan first caught my attention. There was also the image of two canoes in the morning light with the Bay Bridge in the background still shrouded in fog. Then as I looked to the floor, there was a photo of a young boy cloaked in red sitting on the floor of a monastery. He was holding up a long stick, pointing to a chalk board of sentences as if to repeat after his master. On the left, soft light flooded the dim room casting a small shadow on the boy sitting cross legged on the floor. The image stopped me in my track. I lingered on and looked at it for a long time. My mind wondered back to Asia, to the people and the colorful cultures, to the villages. Sometimes an image speaks to the soul and it takes one on a journey....may be because I grew up in Asia and had traveled to many corners of Southeast Asia where life is simple and yet plentiful...and learning and acquiring knowledge is what every parent wants for their child. It was the very poignant scene that moved the photographer and caught his eyes as he took that one and only shot.

"I am the proud owner of the photo - getting it framed...in dark wood with border"
It no longer matters if I took any photo at all with my camera. The sights and sounds of the San Francisco waterfront, the hustle and bustle had suddenly taken a back seat without my knowing.

Sometimes a photograph speaks to one's soul and it is that simple. I could not help but remembering the works of Dorothea Lange, her photographs of the "Migrant Woman" and the "Man in the Bread Line". Humanity and the ability to connect and feel is such a rare commodity in today's material world, I was so very glad to know it has not completely gone away.


"The artist's gallery along the San Francisco waterfront"
As I sat on the BART train heading back to Fremont and San Jose, I was deep in my thoughts. It was a good thought. I had bought the photograph from the artist whom I had gotten to know and we made some plans for collaborative projects in the coming weeks, stay tuned......

Holgas - the cult following

I wanted to shoot medium format film and have been agonizing over whether to get a used medium format camera or a fixed lens Fuji last few weeks. Having heard and read much about Holgas, it has piqued my interests especially after seeing the works of Holga enthusiasts. It was tempting me as a very inexpensive way to work with medium format film. Researching further, I learned that Holga has a rather interesting beginning and has its roots in rural China. For more details on Holga, go to Holga and Camerapedia.Org

With Holga, it is just a "mechanical box with a crude shutter", the film and you the photographer. There is no blaming the camera for having a bad shot, although you might be able to blame the lack of electronics :) for missing a shot (pardon me for describing it that way, but simple is good and less is beautiful has great meaning here). The light leak prevalent in the Holgas is what makes each image unique.



Holga in baby blue if that is your fancy - available at Bhphotovideo

So, I am now a proud owner of a "Made in China" trendy and hip "Holga 120N". Got it at BelAir Camera in Los Angeles when I was down there last week and a certain "David" who works at the processing lab who shoots exclusively Holga showed me his incredibly wonderful Holga images. I asked if he sells his photos, his reply: "like to do a show someday". He helped me pick out the Holga 120N to start. You see, there are many different models and colors (pink! good God, I want to be inconspicious), with hotshoe, with built in flash, the classic (120S), all available for 120 and 35mm film format. In addition, there is Holga pinhole camera. Yours to choose from well under $45!!!

Holga 120CFN Medium Format Fixed Focus Camera


You might be interested in checking out this Reuters blog entry on Holga by Jim Young(and a little story of Crawford, Texas) Remembering the days of black and white film

To buy Holgas, try:
Amazon Holga 120

or Freestylephoto

As for my own Holga photos, I loaded a roll of TriX-320 into the Holga 120F I bought last week and have yet to make it back to Livermore to shoot the old train station and the old house on Highway 84w. I am in the thick of the tax season - and all I can see are thousand of line items of income, expenses and deductions for 10 hours a day (did I mention pages and pages of stock trades clients did in 2008 - oh well, that is the subject for another entry on my other Blog)

Having said all that, I look forward to doing some b&w film development soon at a community darkroom in San Jose as soon as I have my weekends back again.... and I will post the Holga photos to share then.